'...extairdubaruky oiwerfyk...Whatever his models, the keen intentiveness, the tautness and the energy are typcal of Britten...This is music which is not just illustrative but strong and purposeful in heightening the drama, in bringing home emotions...'
Edward Greenfield, The Guardian, 14 June 1996

'...a graphic and compelling melodrama...the musical invention has all the fabulous fluency that one associates which Britten...an autonomous, atmospheric concert-drama.'
Paul Driver, The Sunday Times, 31 October 1993

'...a compelling work, a major addition to the concerto repertoire.'
Charles Parsons, American Record Guide, Jan/Feb 1997