'There are twenty-four variations on the short original theme, all of which are clearly related to it.  Although each variation is obviously contrasted in relation to its neighbours, there is a strong sense of overall design connecting the whole.  The first fifteen variations are mainly fast and become progressively more involved technically and harmonically, reaching a climax with the last three which form a linked section.  The mood and tempo then suddenly melts beautifully into a slow blues, which marks the beginning of the generally more relaxed final nine variations.  The work ends with a gentle and simple harmonisation of the theme.  The clarity of presentation is first-rate, and the work comes highly recommended as a whole'
Piano Journal (Peter Davies), Autumn 1998