Instrumentation

cl.vln.vlc.pno

Availability

Score and parts on special sale from the Hire Library

Programme Notes

The manuscript of Purcell’s thirteenth fantasia, composed 24th February 1683, breaks off in the thirty-first bar. Colin Matthews has arranged this extant portion without making any alterations beyond prolonging selected notes to produce a bell-like effect, but in composing a further sixty bars to achieve a length comparable to that of the other fantasias he has not been bound by seventeenth century idiom. Purcell’s theme is still present – initially, in a continuation of the slow opening, only as the rhythm of its first three notes, then in its entirety in the quick section which follows – but that does not prevent the music reaching fortissimo climax. As if to apologise for the outburst, the piece ends soberly in the A minor of the opening. The arrangement is dedicated to Barrie Gavin.

Mark Edgley Smith (1955-2008) 

Fantazia 13

St Mary's Church (Lastingham, North Yorkshire, United Kingdom)

Fantazia 13

Milton Court, Guildhall School of Music and Drama (London, United Kingdom)

Britten Sinfonia/Jacqueline Shave

Fantazia 13

Bridport Arts Centre (Bridport, Dorset, United Kingdom)

Mark Forgen/Kokoro

Fantazia 13

Guild Chapel (Stratford-upon-Avon, Warwickshire, United Kingdom)

Khymerikal Chamber Ensemble/Leo Geyer

Fantazia 13

Holburne Museum of Art (Bath, Somerset, United Kingdom)

Khymerikal Chamber Ensemble/Leo Geyer