Night Owl

Score and parts for hire.

 

Faber Music Ltd. is the sole agent for Michael Daugherty Music in Europe, Australia, New Zealand and Japan.

For these territories, contact the Faber Music Hire Library:

http://www.fabermusic.com/content/hire-info

 

For other territories, including North and South America, South Korea and China, contact Bill Holab Music (U.S.A): http://www.billholabmusic.com/rent-music/

Night Owl (2018) for orchestra was commissioned by Susan and David Goode for the Virginia

Symphony Orchestra, JoAnn Falletta, Music Director. The three-movement work is 20 minutes in

length. Special thanks to the O. Winston Link Museum in Roanoke, Virginia for their assistance in

this project. The composer writes:

 

“Night Owl for orchestra is inspired by the masterful, nocturnal photography and sound recordings

by O. Winston Link (1914-2001), who chronicled the last days of steam locomotive powered trains

from 1955 to 1960 in the United States and the Norfolk and Western line.

 

In Shutterspeed, I reflect on the technical world of O. Winston Link’s photography and my passion

for the medium. With an arsenal of flashbulbs, power generators, tripods and Rolleiflex cameras,

he drove his 1952 Buick through the rugged backwoods of the Appalachian Mountains in search of

perfect locations. Once discovered, O. Winston Link created meticulously composed photos, which

often would take him days to prepare and execute. Since the majority of his panoramic black-andwhite

photographs of trains were taken outdoors in remote areas and at night, Link developed a

unique and complex system of timed flash photography. This allowed him to simultaneously trigger

hundreds of lightbulbs to dramatically capture the intricate machinery and steam plumes of the

locomotive at the just the right moment. Keeping shutter speed, aperture and focus in mind, I have

generated dramatic music in the first movement with the same precision as if taking photographs

with my Leica camera.

 

In the second movement, entitled Solitude, Virginia, I focus on O. Winston Link’s photographs of the

people who lived in the small, sleepy Appalachian railroad towns and whose lives were intertwined

with the railroad: the train signalman and conductor; the shop owner; the farm couple; the

teenagers at the drive-in movie theater or the swimming pool. I have composed nostalgic music,

which, like the photographs of O. Winston Link, remind the listener of an era long gone. The night

music begins softly with intimate horn, oboe and clarinet, solos accompanied by bells from the

church tower and bluesy strings. Suddenly out of nowhere, boisterous trombones and timpani

interrupt the musical proceedings like a massive steam locomotive rolling into town down Main

Street. After the train slowly disappears out of sight, the opening night music returns, featuring

mellow solos from the tuba, trumpet and bass clarinet as the town goes back to sleep.

 

In addition to his iconic photographs, O. Winston Link also made audio recordings of steam powered

trains, which were issued on six vinyl records during his lifetime. Link believed that “the train is as

close to a human being as you can get. It talks, it moves, it grunts and groans.” In final movement,

Thunder on Blue Ridge, I translate the sights and sounds of O. Winston Link’s steam-powered trains

into a stomping barn yard romp. A pulsating snare drum groove, like the clicking sounds of a

locomotive thundering down the tracks, is punctuated by a train bell, harmonica and strings playing

“behind the bridge”. A catchy Appalachian-like tune, first played by the woodwinds, is developed

and transformed through an array of kaleidoscopic orchestrations and polymetric counterpoints. After a series of virtuosic instrumental interludes, my musical train rumbles to its final destination.”

 

-- Michael Daugherty