'A delicious combination of po-faced gravitas and tongue-in-cheek humour.' The Birmingham Post

Instrumentation

baroque oboe or oboe, horn and harpsichord

Availability

Score and parts on special sale from the Hire Library

Programme Notes

The combination of oboe, horn and harpsichord was devised by Debussy for the fourth of his instrumental sonatas, which death prevented him from composing. This piece could be imagined as a ‘homage’ to Debussy and Couperin, in the manner of the latter’s L’Apothéose de Corelli or L’Apothéose de Lulli.

All indications in French are taken from works of Couperin. Dynamic indications (in round brackets) and other markings (in square brackets) are to be treated as the benign suggestions of a very expert editor.

© Thomas Adès

Sonata da Caccia

Sonata in 'Late Night Chamber Music' after main concert

Helsinki Music Centre, Paavo Hall (Helsinki, Finland)

Christianne Stotijn/Mark Stone/Finnish Radio Symphony Orchestra/Thomas Adès

Sonata da Caccia

Galament Breakfast

BBC Radio 3 (United Kingdom)

Michael Niesemann/Andrew Clark

Sonata da Caccia

Yellow Barn (Putney, VT, USA)

Mark Hill/Stephen Stirling/Emely Phelps

Sonata da Caccia

Hochschule für Musik und Darstellende Kunst (Frankfurt am Main, Hessen, Germany)

International Ensemble Modern Academy/Gregor A. Mayrhofer

Sonata da Caccia

Hessisches Staatstheater (Wiesbaden, Hessen, Germany)

International Ensemble Modern Academy