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Programme Notes
This work is a modest offering in response to the death of a great musical and spiritual presence. Messiaen was a protospectralist, that is to say, he was fascinated by the colours of the harmonic series and its distortions, and found therein a prismatic play of light. The tape part of my work is composed of piano sounds entirely tuned to harmonic series - twelve of them, one for each class of pitch. The ‘tempered’ live piano joins and distorts these series, never entirely belonging, never entirely separate. Tombeau de Messiaen was written for Philip Mead (who commissioned it with funds provided in part by Eastern Arts) and dedicated to him and to Jake Harvey Tavener who was born ten hours before Tombeau was finished. Sound projection by the composer.