'A livewire impossible to pigeonhole' The Times

Tansy Davies (b. 1973) characterises the role of the solo saxophone in her 2004 work Iris as that of ‘a shaman, or one who walks between worlds’ and in doing so she also describes herself – a musician whose boundary crossing curiosity makes her one of the most distinctive voices in British music today. With a background as a horn player, electric guitarist and vocalist, Davies studied composition with Simon Bainbridge at the Guildhall School of Music & Drama and with Simon Holt at Royal Holloway. In 2004 Davies’s neon, a gritty collage of twisted modernist funk written for the Composers Ensemble, quickly became her calling card and continues to be performed internationally.

The recipient of a 2009 Paul Hamlyn Award, Davies has written works for numerous world-class orchestras, including Tilting (2005) for the London Symphony Orchestra and Wild Card, premiered by the BBC Symphony Orchestra at the 2010 Proms. Her music has been championed internationally by ensembles including The Israel Contemporary Players, Ensemble intercontemporain, and the Tokyo Symphony Orchestra and at festivals including Ultima, Présences, and the Warsaw Autumn.

Brilliantly imaginative, and often gloriously offbeat, Davies’s work has taken its inspiration from sources as diverse as the architectures of Zaha Hadid (the 2004 trumpet concerto Spiral House) and the work of Anselm Kiefer (Falling Angel). Davies’s long fascination with the music of the Troubadours finds expression in her Song of Pure Nothingness and Troubairitz, the 2010 song cycle for soprano and percussion that gave its name to a portrait disc on Nonclassical. In 2011, Davies’s anthem Christmas Eve was performed at the Festival of Nine Lessons and Carols in King’s College, Cambridge and broadcast worldwide. As With Voices and With Tears – a setting of Walt Whitman for choir, string orchestra and electronics – was nominated for a 2011 South Bank Show Sky Arts Award. Davies’s collaboration with Norwegian choreographer Ingun Bjørnsgaard and composer Rolf Wallin, Omega and the Deer, premiered at the 2011 Oslo International Dance Festival. 2012 saw the premiere of a concerto for piano and ensemble, Nature, by Huw Watkins and the BCMG under Oliver Knussen, as well as the release of ‘Spine’, an all-Davies disc on the NMC label.

Davies’s critically acclaimed first opera Between Worlds – a bold and highly individual response to the events of 9/11 to a libretto by Nick Drake – was premiered by English National Opera in 2015 in a production by Deborah Warner. It was later awarded the 2016 British Composer Award for Stage Work. Re-greening for large singing orchestra was premiered at Snape Maltings, Aldeburgh, by the National Youth Orchestra of Great Britain, who later performed the work at the 2015 BBC Proms. Forest, a concerto for four horns and orchestra, co-commissioned by the New York Philharmonic, Philharmonia Orchestra and the Warsaw Autumn Festival, was premiered in February 2017. In 2018 a new music theatre work, Cave, was premiered by Mark Padmore, Elaine Mitchener, and the London Sinfonietta.

Having previously taught at the Royal Academy of Music, London, Davies is currently an Associate Professor of Composition at the Jacobs School of Music, Bloomington, Indiana. Recent projects include works for Royal Northern Sinfonia and the Asko|Schönberg ensemble – the latter commissioned as part of a season-long residency at Amsterdam’s Concertgebouw in 2018/19.


Pittville Pump Room (Cheltenham, Gloucestershire, United Kingdom)

Nicholas Daniel/Julius Drake


Royal Dockyard Church (Chatham, Kent, United Kingdom)

Composers Ensemble/Richard Baker


Town Hall (Cheltenham, Gloucestershire, United Kingdom)

London Sinfonietta/Pierre-André Valade/Simon Haram


Barbican Theatre (London, United Kingdom)

Christophe Mangou/London Symphony Orchestra

Spiral House

City Halls (Glasgow, Scotland, United Kingdom)

BBC Scottish Symphony Orchestra/Mark O'Keeffe/Zsolt Nagy